Replay: ACES high. With the technology looking set to feature prominently at NAB, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES).
The Academy of Motion Picture Arts and Sciences used the occasion of the annual NAB Show in Las Vegas to announce the availability of its Academy Color Encoding System (ACES) 2.0, a new version of the ...
In our continuing feature, Red Shark Technical Editor, Phil Rhodes, delves into the complexities of the Academy Color Encoding System (ACES). Part Two looks at how the system works. This is the ...
LOS ANGELES--(BUSINESS WIRE)--Ownzones Entertainment Technologies (“Ownzones”) today announced that Ownzones Connect™, the groundbreaking cloud-based solution that helps content providers manage, ...
Digital Film Central (Central), the Vancouver-based post facility for Neill Blomkamp’s new film Elysium, created a 3.3K colour and conform workflow, that integrated both editorial and VFX. The ...
Cinematographer Steven Poster, ASC, and director Dean Hargrove tapped into the features and functions of the Cinema EOS C500 and the complete line of Canon's Cinema Zoom and Cinema Prime lenses to ...
Universal Pictures is the first Hollywood studio to announce that it will begin to use and deliver its productions using the latest version 1.3 of the Academy Color Encoding System (ACES), which it ...
The Academy of Motion Picture Arts and Sciences used the occasion of the annual NAB Show in Las Vegas to announce the availability of its Academy Color Encoding System (ACES) 2.0, a new version of the ...
Ownzones Entertainment Technologies (“Ownzones”) today announced that Ownzones Connect™, the groundbreaking cloud-based solution that helps content providers manage, deliver and monetize video ...
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