Like a lot of people, I first saw Billy Preston in “Let It Be,” where his luscious electric-keyboard noodlings provided the sweet center to songs like “Don’t Let Me Down” and “Get Back.” But it wasn’t ...

All due respect to Ireland and its musicians, but the greatest trick the devil ever played was to permanently associate the phrase “take me to church” with Hozier. Before a milquetoast single by that ...

Paris Barclay's documentary explores a maverick who had hit singles, was secretly gay, and wasn't as big a 1970s star as he should have been. The sound of a holy organ rang out, and the camera zoomed ...