The story of Carmen, in the 19th century opera by French composer George Bizet, is, at its simplest, the story of a developing tension between Carmen, a stereotypically racialised woman attempting to ...
“Carmen” is, in a word, problematic, but ballet companies and opera houses continue to stage versions of Bizet’s opera, a tale of a free-spirited Romani who seduces a soldier, only to be killed by him ...
Add Yahoo as a preferred source to see more of our stories on Google. Watching and listening to Georges Bizet’s “Carmen” at Sarasota Opera is a bit like sitting through a collection of opera’s ...
Director Mo Zhou's static production is lifted by vivid singing from Ariana Maubach and Raúl Morales Velazco.
When the Canadian Opera Company production of Carmen premiered in 2005, a young Joel Ivany was an extra posing as a photographer in the scene wherein the bullfighter Escamillo makes his entrance.
The Metropolitan Opera premiered its new production of Bizet’s Carmen on New Year’s Eve, starring the dynamic Russian mezzo-soprano Aigul Akhmetshina in the title role. Her performance has won over ...
My first reaction when I heard of a new animated feature film adaptation of Georges Bizet’s 1875 opera, Carmen, was that ...
Ginger Costa-Jackson is Carmen in Maria Todaro’s Florida Grand Opera production of George Bizet’s opera, opening April 12 at the Adrienne Arsht Center for the Performing Arts, Miami. (Photo by Walt ...
When Bizet’s opera Carmen was first performed in 1875, critics reported the reception was "glacial." After only 33 performances the composer died suddenly, never to know of the international success ...
The Gypsy heroine is an impossible, exotic male fantasy who is not one woman, but many. Her murder matters less than it should, argues opera director Mathilde López Directing Carmen is terrifying.
When Georges Bizet’s opera “Carmen” premiered in 1875, scandalized Parisian audiences couldn’t wrap their minds around the story of a woman who brawled, smoked like a chimney and refused to be tied ...
Not all the directorial decisions work equally well, but we’ll get to one of those later. Bizet’s score has been trimmed slightly and we don’t get all the dialogue, but the cuts mean that the evening ...