Venture deep into the hinterlands of modern art history, and you come across the artistic movement of the 1880s and 1890s known as Symbolism. An international, diffuse, idealist, and mystical reaction ...
DUBAI, United Arab Emirates — It might be hard to imagine that only a few decades ago the conventional history of modern art was overwhelmingly Eurocentric, but when I was in college in the 1990s the ...
ARTH116 Introduction to Renaissance and Early Modern Art History (4) (Recommended before junior year) ARTH117 Introduction to Modern and Contemporary Art History (4) (Recommended before junior year) ...
NEW YORK — It was a defining moment for the depressed art market when a lush portrait of a woman by Gustav Klimt became the second-most expensive painting ever sold at auction and set a record for the ...
Few things capture the imagination of art history more than a talented couple. Lee Miller and Man Ray, Frida Kahlo and Diego Rivera, Sonia and Robert Delaunay—the pairs all conjure up images of lovers ...
Hugh Eakin’s new book, “Picasso’s War: How Modern Art Came to America” (Crown), isn’t really about Picasso, or about war, or about art. Its subject is the creation of a market for a certain product, ...
This article was featured in One Great Story, New York’s reading recommendation newsletter. Sign up here to get it nightly. Can a museum devoted to modernism survive the death of the movement? Can it ...
The Bachelor of Science in Art History and Theory is a professional degree based on a curriculum historically developed in conjunction with the studio Bachelor of Fine Arts and Master of Fine Arts ...
It’s hard to imagine a visual record of the 20th century without Pablo Ruiz Picasso. With his bold shapes and characteristic angles, the Spanish artist captured everything from the horrors of war to ...
In the 100-level classes, students will acquire an introductory background of historical data as well as a basic set of interpretive tools in order to critically locate and understand the production, ...
“You can see, here, she’s not worried about putting a perfect body on canvas,” said the woman standing near me at the Art Institute of Chicago. “And the tube-like compositions,” responded her ...