To Build the World of ‘The Testament of Ann Lee,’ Production Designer Sam Bader Had to Craft Three Distinct Locales

Mona Fastvold's film is set in Manchester, New York City, and the wilds of upstate New York. Bader tells IndieWire how he approached different spaces.
Rock Paper Shotgun

I've never felt more at home than in the labyrinths of Blue Prince

Edwin: While you could write heaps about its occult architectural logic, the thing I cherish most about Blue Prince is the ...