As her latest dark fable The Ice Tower arrives in cinemas, we track back through the career of a French-Bosnian filmmaker who conjures up surreal, foreboding cinematic songs of innocence, evolution ...

American critic Chris Stuckmann’s crowdfunded debut about a missing paranormal podcaster is often derivative and tasteless, but it’s elevated by great performances and jump-worthy scares.

Gerard Johnson delivers another violent journey through a distinctly London brand of low life with a film about an estate agent in debt to gangsters.

David Osit’s film about the cultural phenomenon that was Chris Hasen’s ‘paedophile-hunting‘ TV series To Catch a Predator doesn’t just interrogate its ethics, it uses raw, unaired footage of the ...

Edgar Wright’s faithful adaptation of Stephen King’s 1982 novel about a deadly cross-country chase TV gameshow starring Glen Powell as fugitive Ben Richards is crammed with skilful action sequences, ...

From gravity-defying stunts to bullet-sprayed showdowns – as Ringo Lam’s blazing City on Fire returns in a new restoration, we remember the heyday of Hong Kong action movies.

In frozen Changchun, Tony Rayns visited Zhang Yimou as he shot the last scenes of his film To Live. The director spoke with Rayns about laughter as a form of resilience and the state of filmmaking in ...

Released 100 years ago, Lon Chaney’s grotesque yet sympathetic turn as The Phantom of the Opera marked a primordial moment in Hollywood history when melodrama morphed into horror and Universal noticed ...

Data and Digital Preservation colleagues report back from the ninth edition of the No Time To Wait conference.

In a bumper year for screen adaptations of Stephen King’s work, the director of The Running Man, a dystopian thriller about a bloodthirsty TV gameshow, talks to the author about media manipulation, ...

With her fifth feature, Die My Love, now in cinemas, we track back through the uncompromising career of Scottish filmmaker Lynne Ramsay and her jagged tales of human complexity.

Jennifer Lawrence stars in Lynne Ramsay’s first film in eight years: as a woman grappling with the emotional strain of early parenthood. She tells us about the influence of Cassavetes, her own ...